Liverpool Tales from the Mersey Mouth - A book by John Williams

"This is a wonderful collection of writings by John Williams. While it isn't specifically about the Beatles, they are clearly a part of the story, along with the very fiber and fabric of the city that influenced him and them as well. The pieces are short, well written and filled with a delicious sense of humor that shines in the titles as well as the essays." Jan Perry, Cincinnati Post
"John Williams writes in the language of Liverpool, a Scouse scribe who brings to life the people and places, inner thoughts and outer images, the vigour and vitality and essentially, the iron humour of a unique city." Bill Harry, founder of Mersey Beat

Liverpool opinions

You say potato - I say spud

By John Williams

apropos a remark by Iris Weir

The first article I ever published on the net, in 1999, was entitled 'The Long and Winding Road', and since then most of my pieces have been headed by a song title.

There is nothing novel about this as many writers make references to pop music where once they might have employed a well known religious image. Of course, it is true that all that you're liable to read in the bible ain't necessarily so, but that didn't stop Hamlet wishing God had not banned suicide,

"Oh!...that the everlasting had not fix'd

his canon 'gainst self slaughter!"

The Prince of Denmark would have sympathised with Hawkeye and friends from the hit television series M.A.S.H who operated under the idea that suicide is painless.

Again, John Milton was able to reach his audience and discuss the sinful nature of pride on the back of the familiar story of Satan's fall from grace. Modern audiences, largely starved of religious discourse, are more hungry for meatloaf and bats out of hell than the fallen angel of 'Paradise Lost'.

I once taught a class of adults and was wholly shocked and disconcerted to discover that some of the younger students had no knowledge of the creation myth of Adam and Eve. Somebody, it seemed, had paved paradise and put up a parking lot.

It was then that I wondered if we really were on the eve of destruction. Not because I am a believer, but simply because the ignorance of my students was a frightening example of just how quickly and easily the past can be buried while the new is presented as being the eternal truth. The truth is I'm a believer, in the notion that someone is making monkeys of us all.

All the great tyrannical movements of the twentieth century exploited this phenomenon as the world watched mesmerised while men and women were air-brushed out of existence. They're invisible now with no secrets to conceal. Talk about paint it black!

Ordinary people feel confused and lonely. One I heard of, a spinster called Eleanor, kept her face in a jar so as not to offend the possessors of the all effacing air brushes.

So now, whenever I am called on to stand in as an English teacher I no longer make reference to David or Goliath, although any mention of Delilah is likely to be understood. It's not unusual to find that students who know next to nothing of religious figures are easily bored if I try to explain the place in literature of the spirit in the sky and so I tend to talk mainly in pop metaphors, which at my age I find rather uncomfortable.

Sometimes I just want to ask them to take me for what I am, accept me for the things that I do...but no doubt whatever happens I will survive.

I see the nerds are at it again, accusing yet another Beatle, Paul, of 'unconsciously' plagiarising an old song, Nat 'King' Cole's 'Answer me' to write the classic 'Yesterday'.

What is the matter with these people? I mean, I have been listening to both songs almost all of my life and I have never noticed the slightest resemblance of one song to the other. Presumably the plonker who 'discovered' this so called convergence of sound also thinks that 'God save the queen' was the inspiration for The Village People's 'Y.M.C.A'

My thanks to Tim Kelly and Brigitte C for the new look to my site